Gustave Courbet paintings

Gustave Courbet paintings
Guido Reni paintings
George Inness paintings
George Frederick Watts paintings
So acutely did Mrs. Dashwood feel this ungracious behaviour, and so earnestly did she despise her daughter-in-law for it, that, on the arrival of the latter, she would have quitted the house for ever, had not the entreaty of her eldest girl induced her first to reflect on the propriety of going, and her own tender love for all her three children determined her afterwards to stay, and for their sakes avoid a breach with their brother.
Elinor, this eldest daughter whose advice was so effectual, possessed a strength of understanding, and coolness of judgment, which qualified her, though only nineteen, to be the counsellor of her mother, and enabled her frequently to counteract, to the advantage of them all, that eagerness of mind in Mrs. Dashwood which must generally have led to imprudence. She had an excellent heart; her disposition was affectionate, and her feelings were strong: but she knew how to govern them: it was a knowledge which her mother had yet to learn, and which one of her sisters had resolved never to be taught.

Gustave Courbet paintings

Gustave Courbet paintings
Guido Reni paintings
George Inness paintings
George Frederick Watts paintings
would have found it utterly incomprehensible, felt themselves linked by an eternal gratitude to the ``delightful Americans'' who had been so kind at Botzen. With touching fidelity they seized every chance of meeting Mrs. Archer and Janey in the course of their continental travels, and displayed a supernatural acuteness in finding out when they were to pass through London on their way to or from the States. The intimacy became indissoluble, and Mrs. Archer and Janey, whenever they alighted at Brown's Hotel, found themselves awaited by two
-192-affectionate friends who, like themselves, cultivated ferns in Wardian cases, made macramé lace, read the memoirs of the Baroness Bunsen and had views about the occupants of the leading London pulpits. As Mrs. Archer said, it made ``another thing of London'' to know Mrs. Carfry and Miss Harle; and by the time that Newland became engaged the tie between the families was so firmly established that it was thought ``only right'' to send a wedding invitation to the two English ladies, who sent, in return, a pretty bouquet of pressed Alpine flowers under glass. And on the dock, when Newland and his wife sailed for England, Mrs. Archer's last word had been: ``You must take May to see Mrs. Carfry.''

Gustave Courbet paintings

Gustave Courbet paintings
Guido Reni paintings
George Inness paintings
George Frederick Watts paintings
shrill cheers for the new member. No one ever regretted the admittance of Sam Weller, for a more devoted, well-behaved, and jovial member no club could have. He certainly did add `spirit' to the meetings, and `a tone' to the paper, for his orations convulsed his hearers and his contributions were excellent, being patriotic, classical, comical, or dramatic, but never sentimental. Jo regarded them as worthy of Bacon, Milton, or Shakespeare, and remodeled her own works with good effect, she thought.
The P. O. was a capital little institution, and flourished wonderfully, for nearly as many queer things passed through it as through the real post office. Tragedies and cravats, poetry and pickles, garden seeds and long letters, music and gingerbread, rubbers, invitations, scoldings, and puppies. The old gentleman liked the fun, and amused himself by sending odd bundles, mysterious messages, and funny telegrams, and his gardener, who was smitten with Hannah's charms, actually sent a love letter to Jo's care. How they laughed when the secret came out, never dreaming how many love letters that little post office would hold in the years to come.